The brief
The book pairs an essay by Lukas Bernhardt with 140 photographs of concrete buildings. The photos needed room, and the text needed to be comfortable to read at length.
The work
A two-column grid for the essays and a single full-bleed field for images. Headlines are set tight and heavy against a light text face, so each chapter opens with a clear break. Photographs are printed as black duotones on an uncoated stock that holds shadow detail in the concrete.